Thomas Friedman’s recent book, Thank You For Being Late, is in the Globalization/Political Economy genre according the the ISBN code sticker on the back of the book. One usually doesn’t look in such books for suggestions about creativity, but that is what I found in the first chapter, also titled Thank You For Being Late.
Creativity involves having ideas and then doing something with them whether you turn those ideas into – in Friedman’s case, a column in the New York Times, or in my case a photograph. Friedman says
. . . a column idea [or an idea for a photograph] can spring from anywhere: a newspaper headline that strikes you as odd, a simple gesture by a stranger, the moving speech of a leader, the naive question of a child, the cruelty of a school shooter, the wrenching tale of a refugee. Everything and anything is raw fodder for creating heat or light.
How can one nurture the ability to recognize ideas when they appear?
. . . you have to be constantly reporting and learning – more so today that ever. Anyone who falls back on tried-and-true formulae or dogmatisms in a world changing this fast is asking for trouble. Indeed, as the world becomes more interdependent and complex, it becomes more vital than ever to widen your aperture and to synthesize more perspectives.
Friedman paraphrases and then quotes Lin Wells of the National Defense University.
. . . it is fanciful to suppose that you can opine about or explain this world by clinging to the inside or outside of any one rigid explanatory box or any single disciplinary silo. Wells describes three ways of thinking about a problem: “inside the box”, “outside the box,”, and “where there is no box.” The only sustainable approach to thinking today about problems, he argues, “is thinking without a box”.
. . . it means having no limits on your curiosity or the different disciplines you might draw on to appreciate how [the world] works. [A person needs to be] radically inclusive.
As a photographer, thinking without a box means not being constrained by accepted norms of beauty or of what makes a compelling photograph. It means not being constrained by the rules that are trotted out by the experts who then tell us to freely ignore them. It means not being overly influenced by the latest hot stuff on Instagram or what is winning contests on ViewBug. It means shooting from the heart. As Friedman says, “What doesn’t come from the heart will never enter someone else’s heart.
For me it means walking down an alley behind the stores that present their trendy, polished facades to the main street. In the alley is where you find the unexpected and serendipitous examples of unexpected beauty. Below are recent examples of beauty I found in alleys.